‘Anniversary’ is a new multi-media dance and theatre performance created by older artists, including performers from a ‘various and wide’ life experience. It involves true stories, original live music, dance and video imagery to be performed at the West Yorkshire Playhouse (Leeds, United Kingdom) next year produced by The Performance Ensemble in co-production with West Yorkshire Playhouse.
On July 4th 2015 the company performed the first ‘Work in Progress’ of the piece to an appreciate audience of a few hundred people – part of the process of developing new work and funded by The Baring Foundation’s LateStyle Project. The Baring Foundation has pioneered support for a wide range of programmes supporting older people to enjoy and take part in the arts This latest programme, funded professional artists (all of whom are over 70) to bring their original and exceptional artistic craft and insights to the theme of “Age”. We choose the choreographer Royston Maldoom to take on this role.
Review of ANNIVERSARY Work in Progress
THE OPENING SET for ‘Anniversary’ is curiously unpromising: a broken-down sofa, with its back drawn defiantly to the audience; old crates scattered randomly across the floor; tatty clothes abandoned on a metal rack… Already the metaphor is in place – something, or someone, has been chucked on society’s rubbish heap. For what we see is not a place of prestige. An air of abandonment prevails. Then, out they come crawling, from behind the detritus, like alley cats, into the open space. Dancers. Stealthy, defiant. Vibrant. Full of mischief. And the mayhem begins.
This is a company of ten performers. Five long-term professionals, five total newcomers with zero experience or training – except the two-week intensive rehearsals they have been through with director Alan Lyddiard and choreographer Royston Maldoom. The one thing everyone has in common here is their age. For this is a piece about being older – in your sixties, seventies, eighties. In other words, on the human scrapheap, right? Wrong. So very, very wrong.
From their first audacious appearance amongs the rags and tatters in the studio corner, to their final triumphant flop, in a heap of tangled bodies, onto the old sofa, which has now been turned to face and embrace us, centre stage, these performers hold us in a spell of virtuosity and celebration. They mesmerise, with their rich presence, their wisdom, their humour, their LIVES.
‘Anniversary’ is not so much a story, more a series of loosely interconnected scenes, in movement, original music (by Chris Benstead), and words, all evoking the complex, multi-layered experience of getting older. It would have been so easy to go for the sympathy vote. To have the audience say, ‘Bless them for having the nerve.’ Not for one second does that happen in this piece. This is a piece of art, powerful in its own right.
It’s sometimes rueful – a group of women mournfully examine their bingo wings, their spreading girths, their wrinkles and eyebags, in front of an imaginary mirror. Sometimes there is defiance – a man walks slowly, with his walking stick, to centre front, looking vulnerable, alone, only to be joined from behind by a chorus of stick-thumping, loud-chanting dancers, turning loneliness into sudden, anarchic, joyful solidarity. Elsewhere, tenderness surfaces – two people sit close, gazing into each other’s eyes, a hand placed to their partner’s face in exquisite understatement. And often, it is thrillingly dynamic, beautifully strong – the whole company moving in ensemble dances that are brimful of energy, chutzpah and hope.
The choreographer, director and composer have done a fine job here of melding their considerable respective talents to create a jewel of physical theatre. But more than that: they have fostered a palpable sense of connection, of integration – between professional and non-professional dancers; between the performers and the audience. This is something increasingly rare in a contemporary culture that is often elitist, youth- and celebrity-obsessed, a culture somehow disconnected from our everyday lives – our memories and our dreams.
‘Anniversary’ is aspirational in the best sense of the word. It certainly tells some sanguine truths about the world it depicts – that of the elder, the “senior citizen” (how hateful is that term!) – but it also shows the sheer glory of the human spirit: raging, raging and DANCING against the dying of the light.
Written by BARNEY BARDSLEY
(Barney Bardsley is a freelance writer and dancer)
From Others That Saw It
A profound, inspiring, integrated and very humorous piece!! Very well done all.
Enjoyable performance, good to have the post performance talk. Well done everybody!!
Not too sure when I was given a ticket but found the whole thing amazing. Well done to everyone.
Thank you – you brought a tear to my eye and you saw it as well. Beautiful music and choreography, lovely vocals and competition. I loved it all. Can’t wait to see more next year. Tell ACE to come and see it tonight!!
Totally riveting – such variety, smoothness, exploration of themes – music, movement, character, humour – great! Onwards to the next venture!
It was just wonderful. Gives me hope for the future!
From the outset it was a captivating and very moving piece of theatre. I was entranced and unaware of the fact that the performers were in the older age group. I appreciated the variety of the movements as the more voting sections were interspersed with humour. The music brought it all together into a whole performance that was inspirational. I came to see a friend – one of the ‘community’ dancers and left feeling that I had seen a quality work.
A fantastic, emotional and inspirational performance.
I came to the performance because I have a friend performing, but I have thoroughly enjoyed it. I found it very expressive and moving. I was mesmerised and felt the performance really flowed. I liked the variety – the mix of sadness at times and optimism. As a person coming up to retirement age myself I find it optimistic to know that these projects exist for older people so that we can enjoy a fulfilling and creative retirement. It is never too late to learn, start something new and be creative and active.
A truly moving and thought-provoking performance! Beautifully presented with some personal touches. There’s so much stigma around community art, but this piece proves how valuable it can be. My only reservation is that you have to Abe older to get involved – I’d love to, but am 30 years too young!
It was brilliant to see artistic expression at this level and it is always ageless and universal.
What a fantastic performance. I could have watched it all afternoon. A brilliant example of the importance of art in the community. Life-affirming and inspiring. Looking forward to seeing how it develops. So many possibilities!
A feasts of talent. Makes me proud to be ‘old’. Well done all. Good luck with the funding.
Loved your comments about ‘not just being a memory bank’, ‘the potential within’, ‘looking forward to developing…’ Was inspired by the movement, energy and being in the moment, avoiding the cue from the armchair to just sit. Broom and radio in the kitchen here I come!
This has inspired me to explore what I can do in the future to keep feeding my soul (I sing with a choir and am on my way to listen to our sister choir ECHO at Leeds College of Music. I want to stretch my boundaries and really come out of my comfort zone. Too long being timid! Thank you!! For a bright future!
It was very inspiring and heart warming. Thank you! Congratulations on combining dance and age! Hum’s appearance on stage was very touching and made me cry! You were ALL fabulous! I truly hope you will carry on to inspire future audiences. Thank you! Thank you! Thank you!
Wonderful, inspiring performance. Very moving! Brought more than one tear to my eye!
Congratulations. I’ve been working with the Calder valley performance ensemble on what turned out to be a beautiful nostalgic piece – however, what I’ll take – mainly- from your powerful work is to focus on the ‘now and next’ and start the art from there. ‘Two roots of the same tree’.
Inspirational. I came to see Namron perform as he taught my children’s father, Brian Claxton-Payne. I love to dance and still perform when I can and was blown away by the depth of the piece, the humour and technique. The professionals definitely still have it and the community performers definitely brought it. Keep dancing all of you. PS – jazz saxophone, lovely touch.
It was inspiring to see everyone dance together. I like the way fun was integrated into loss in all it’s many ways. I loved the salsa bit. Thanks for a great evening and I hope to see more!
Fantastic show, we need you to show us younger people what ‘true community’ is about. Very poignant moments but so much energy. Doesn’t matter how old you get, life is always in a state of constant flux. Blessings.
A fabulous experience, want to see how it grows and realises it’s potential. Thank you.
I thought that the performance was inspiring – the woman on her own when the couples dance…breaking out themes… Look forward to watching older people dance without having to think about being old.
Lovely, would have liked to see a bit more.
Well done. Keep it up!
Congratulations on a beautiful and moving performance. Please keep me in touch with future activities. If you are thinking of touring this, please come to Corby.
I work as an older person’s physio in Dewsbury and meet people in hospital with a passion for dancing. Do you know if there are any similar groups in Dewsbury?
Love the performance, full of heart. Please keep in touch -the family Halifax.